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Briar Gate Press raven before a moonlit gothic castle
Book cover for 'Blackthorn: An Audit' by Amy Wiley, dark navy and gold, portrait aspect ratio, central circular emblem with a stylized bird, gothic title typography at the top.

Valerius Drakenfeld has survived nearly six centuries, several wars, one catastrophic betrayal, and the indignity of working in vampire customer service. 

He will not survive an audit. Probably.

When a certified raven delivers notice from the Bureau of Eternal Compliance, Valerius and his household have twenty-one mortal days to prove that every undead resident, territorial claim, financial arrangement, and supernatural irregularity is properly documented.

It is not.

Zach, the household’s youngest vampire, may not legally exist. Ambrose remembers nine hundred years of history but rarely the century currently required. The House has opinions, grudges, and a regrettable tendency to weaponize the shrubbery. And somewhere inside the Bureau, someone has been waiting a very long time for Valerius’s records to fail.

Their only hope is Amelia Harker: a mortal paralegal armed with a pencil, an exacting respect for procedure, and the dangerous belief that every account can be reconciled.

But as missing files surface and old betrayals acquire new signatures, Amelia begins to understand that this is no ordinary audit.

The vampires have secrets. The Bureau has procedures. Amelia has a checklist.

GOD HELP THE BUREAU.

Available September 21, 2026

AMY WILEY

Amy Wiley writes fiction about power, memory, and the complicated distance between what happened and what gets remembered — sometimes seriously, and sometimes with vampires filling out compliance paperwork.
A respiratory therapist by profession, she has spent more than twenty years working in critical care, where she learned that human beings are rarely at their simplest when the stakes are highest. That understanding follows her into her fiction: characters are allowed to be contradictory, imperfect, frightened, resilient, and occasionally spectacularly bad at doing the sensible thing.
Her work ranges from historical fiction to satirical fantasy, but returns again and again to questions of survival, identity, and who gets to tell the story afterward.
When she isn't writing, Amy lives and travels in a renovated motorhome with two cats, too many books, and an enduring tendency to become obsessed with dead people and then research them extensively.

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